以下是他个人的部分收藏品，我们得到了授权转载，转帖在这里供各位琴友欣赏。
'65 Candy Apple Red Strat
1968 Fender Tele Bass, sounds like a Grand Piano with attitude
GIBSON HEAVEN
Mint 1956 Les Paul Special in TV Yellow
1965 Fender Stratocaster in Olympic White
Three shades of Blonde...
(Left) My Baby, a Frankenstein strat I call "Whitey" that is my live Maple neck axe,
(Middle) my '61 Cream Telecaster, and (Right) my '58 see-thru white Telecaster.
'59 Les Paul
The right one is a mint Rare "Ebony Block" 1961 Les Paul.
The other one is one of the Gibson Historic "Relic" 1961 Les Pauls.
I put real PAF pickups in it and it sounds fantastic!
1922 Gibson F-4 Mandolin. perfect for fulfilling that deep-seated
Jimmy Page fantasy I've been harboring
1941 Martin 00021:
60's Tele
335 Stratelepaul
1956 Blonde Gibson L-5C with OHSC
'60 335 and '60 Bassman 5F6-A
Left to Right: '57, '61, and '59 Stratocasters and a few '60's Marshalls
http://www.fulltone.com/images/funroom.jpg
The "Skyline" Tracking Room
I often hear people say "Mike's a "Marshall guy" but, although I love my Marshalls, the majority of my clean playing and recording is done through BlackFace Fender Deluxe Reverbs, Pro Reverbs, Super Reverb's. Lately I've even been tracking the leads for my second CD through smaller amps as well like the Deluxe Reverb with a little help from a Fulldrive2 or DistortionPro....funny the comments I get like: "Hey, now THAT's a Marshall stack, there's NO mistaking THAT!"
5F6 Bassman / '65 Blonde Princeton Rev / '65 Deluxe Rev / '64 Super Rev / '65 Pro Rev/ 1965 Super Rev / '64 Vibroverb / '65 Deluxe Rev / '65 Super Reverb / '65 Pro Rev/ '64 Vibroverb / '65 Deluxe Rev/ '64 Blonde Reverb / '61 Brown Reverb / '64 Black Reverb
MARSHALL HEAVEN
Late '66 or Early '67 Vox Wah Wah
THE Blues Amp
a very early (1956) Hammond B-3 organ
Neumann KM56
Neumann U67
Rare Ludwig Phase II "Synthesizer"
3 mint Tube Echoplexes
Ahhh....the finest tubes in the world:
Genalex KT66 and KT88 output tubes!